[Index]
Catherine Maude WORMERSLEY (1886 - 1971)
dressmaker, talented artist, pottery
Children Self + Spouses Parents Grandparents Greatgrandparents
Catherine Maude WORMERSLEY (1886 - 1971)

+

John (Jack) Francis Benedict O'REILLY (1881 - 1940)
George Byfield Boyfield WORMERSLEY (1851 - 1887) Boyfield WORMERSLEY (1801 - ) John WORMERSLEY WORMSLEY (1761 - 1844)
Sarah PAGET (1762 - 1822)
Elizabeth CUMMINS ( - 1896)



Mary Elizabeth HARRISON ( - 1897) James HARRISON



Hannah SWINBOURNE



Catherine Maude WORMERSLEY John (Jack) Francis Benedict O

Catherine Maude WORMERSLEY Catherine Maude WORMERSLEY Catherine Maude WORMERSLEY
Catherine Maude WORMERSLEY John (Jack) Francis Benedict O Catherine Maude WORMERSLEY Catherine Maude WORMERSLEY Catherine Maude WORMERSLEY
Pic S1. Presentation to Queen

b. 1886 at Manilla, New South Wales, Australia
m. 26 May 1913 John (Jack) Francis Benedict O'REILLY (1881 - 1940) at Lewisham, New South Wales, Australia
d. 1971 at Brisbane, Queensland, Australia aged 85
Parents:
George Byfield Boyfield WORMERSLEY (1851 - 1887)
Mary Elizabeth HARRISON ( - 1897)
Step Parents:
Bernard Patrick HURLEY (1855 - )
Siblings (6):
Bernard Harrison WORMERSLEY (1885 - 1885)
Mary Josephine HURLEY (1888 - 1970)
Francis James HURLEY (1890 - 1966)
Bernard Joseph HURLEY (1891 - 1962)
Teresa Ellen HURLEY (1891 - 1891)
Annie Kathleen HURLEY (1894 - )
Events in Catherine Maude WORMERSLEY (1886 - 1971)'s life
Date Age Event Place Notes Src
1886 Catherine Maude WORMERSLEY was born Manilla, New South Wales, Australia 34351/1886
31 Aug 1887 1 Death of father George Byfield Boyfield WORMERSLEY (aged 36) Queensland, Australia 1887/C263
1897 11 Death of mother Mary Elizabeth HARRISON Queensland, Australia 1897/C2154
26 May 1913 27 Married John (Jack) Francis Benedict O'REILLY (aged 32) Lewisham, New South Wales, Australia Note 1
1919 33 Electoral Roll Brisbane, Queensland, Australia Wickham Terrace
1925 39 Electoral Roll Hendra, Queensland, Australia Chermside St
1936 50 Electoral Roll Nedlands, Western Australia, Australia 48 Webster St
10 Sep 1940 54 Death of husband John (Jack) Francis Benedict O'REILLY (aged 59) Melbourne, Victoria, Australia 1940/9223 Jno Fran Oreilly
1949 63 Electoral Roll Ascot, Queensland, Australia 146 Yabba St
1954 68 Electoral Roll Ascot, Queensland, Australia 146 Yabba St
1971 85 Catherine Maude WORMERSLEY died Brisbane, Queensland, Australia 1971/B26741
1971 85 Burial Pinaroo, Brisbane, Queensland, Australia Note 2
Note 1: 5895/1913, Petersham - have certificate
Note 2: 'Oreilly Catherine Maud' is the name given in the index.
Personal Notes:
No children.

Newspaper article The Daily News (Perth) 31 Jan 1936
" TALENTED ARTIST IN PERTH Specialises in Pottery and Modelling

Mrs. J. F, O'Reilly, wife of the new superintendent engineer to the P.M.G's Department, in Perth, who has been transferred from Melbourne, is a talented artist. She was born in New South Wales, and educated in Rockhampton and Brisbane. She began her studies in art at the Art School in Brisbane, and later studied at the Royal College of Art, South Kensington.

Mrs. O'Reilly is interested in all types of art, but specialises in pottery and modelling, and she prefers water colors to oils. She was the first Australian to have a model of an Australian bird accepted in the Sculpture section of the Royal, Academy, London (Burlington House)— a model of a kookaburra executed in Ceramic art. Another honor bestowed upon her was the sending of examples of her work by the Queensland Government to the Wembley Exhibition, London, in 1925 1926. In 1926, when Mrs. O'Reilly was in London, she had 3cwt. of three different kinds of Australian clay sent to London for her own use. She experimented there with suitable glazes to fit the bodies for prevention of minor defects, such as crazing and pin-holes. In appreciation of the quality of her work, the Agent-General for Queens land arranged an exhibition of her pottery containing vases, bowls, statu ettes, etc., at the offices of the Agent General, the Strand, London. Speaking of her work, Mrs. O'Reilly said, "I concentrate, on good form and proportion with good quality glazes in suitable and subtle colorings, rather than decorations, for my vases and bowls, for I always argue, why put flowers on the exterior of a vase or bowl, which is later filled with flowers?" 'While in London, the artist studied all the different periods of pottery at the National Museum, London, and she was particularly interested in the won derful Chinese Ming and Sung pot tery. Of this wonderful Chinese pot tery, the Victoria and Albert Museum has many priceless examples. A replica of her kookaburra in the Royal Academy was secured by the Commonwealth Government of Aus tralia to be placed in the Government House at Canberra. Lived in Every State Mrs. O'Reilly has lived in every State in Australia, and for the past eight years in Melbourne. In Melbourne she attended out-door sketching excursions every week. A group of fifteen or twenty art students would set off on Saturdays for the studio home of one of Australia's, leading artists, Mr. John Rowell, at Bayswater, about twenty-five miles from Melbourne. At these outings each student would receive an in dividual criticism of his or her work from Mr. Rowell, which was very helpful and much appreciated. Mrs. O'Reilly spoke of the various methods used in making pottery. The statuettes, she said, are painted with an underglaze paint on the biscuit (so-called after the clay has been once fired), then clear-glazed and returned, to the kiln for a second firing. But, she said, pottery and statuette work was a gamble, as sometimes one would create a large number or articles, experimenting with glazes and heat many times before a perfect specimen was turned out. She has not been in terested in the commercial side of her work, but has concentrated on quality and has created mostly only one piece of each kind. Mrs. O'Reilly is contemplating an other trip abroad next year, and while in London, hopes to secure an electric kiln to have installed in her home in Perth. "

A very talented ceramicist - glazing. Kookaburra and naked lady.

Aricle in book has birthplace as Manilla, NSW

Step-sister of Bernard. Therefore Bernard or Mary married twice.

O'REILLY, Maud
Australia b.1886 d.1971
Bowl 1926
Earthenware, thrown shallow bowl with running mottled blue and blue/green glaze
7.5 x 30.5cm (diam)
Acc. 1987.140
Purchased 1987

O'REILLY, Maud
Australia b.1886 d.1971
Double handled vase1924
Hand-built white earthenware clay shouldered vase with bulging cylindrical neck and handles
25.5 x 18cm (diam.)
Acc. 1988.066
Gift of Mr E.B. & Mrs M.E. Whitehouse 1988
Additional information (including Note on art work and artist)
Maud O'Reilly was a student with L.J. Harvey from c.1923 and exhibited her work at a Royal National Agricultural (RNA) Exhibition. In 1925 she and her husband travelled to England where she continued her interest in ceramics with study at the Royal College of Art and the London County Council School of Art Studies. Her training there included throwing and glazing. She was keenly interested in studying historic ceramics in London museums, especially Chinese ceramics of the Ming and Sung eras. The ceramics she produced (she had 3 cwt. of Queensland clay sent over for her use) had simple profiles and sometimes vestigal dragon motif handles but principally relied on the superb glazes for their effect. A case of her work (including the kookaburra model featured in the 'L.J. Harvey and his School' exhibition of 1983) was displayed in the Women Artist Society Exhibition of 1926. 'Kookaburra' (which was further exhibited in the 1926 Royal Academy Exhibition) and several other Maud O'Reilly ceramics were also exhibited at the Royal Queensland Art Society in November 1926. She and her husband returned from England to Melbourne and then moved to Perth. Maud O'Reilly helped to establish the West Australian Women Painters' and Applied Arts Society in Perth. On her husband's death she retired to Queensland.
Maud O'Reilly was one of very few students to progress beyond the Harvey School style. 'Double handled vase' 1924 was made as a Harvey School exercise (no. 12). It is a very fine example of its kind, while providing a useful document of Harvey's teaching methods.

O'REILLY, Maud
Australia b.1886 d.1971
Vase1926
Earthenware thrown baluster shape with deep plum Chun type glaze
28.5 x 12.5cm (diam.)
Acc. 1988.067
Gift of Mr E.B. & Mrs M.E. Whitehouse 1988

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